Showing posts with label ghosts. Show all posts
Showing posts with label ghosts. Show all posts

Thursday, August 18, 2011

Distortion

Originally posted April 2010; somehow my dumb ass deleted it.

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The dream was of my father. No, that's not right, but he was there. The dream was of two moons, their shining images rippling through moving clouds, side by side and large in the sky.

"This isn't real," he said. "How do you know?" I asked.

"Trust me."


"Fucking asshole," I muttered, as soon as I was sure I'd hung up the phone. "You cannot go deleting your stylesheets and then getting pissed when we won't fix it for free."

I announced to my coworkers I was taking ten, and hurried out of the office before the phone could ring again. Outside, I arranged myself on a grassy patch by the street, facing the sun, and lit a cigarette. A Western and godless Dhuhr of sorts, but just as important for getting through each day.

I spotted Lari, a friend of a friend, walking down the street, and waved to her. She quickly ran over and stood above me as I sat on the grass. "Just wanted to say hi," I said. "Enjoying this beautiful day?"

Lari kept glancing at a doorway across the street and looking around nervously. "It's nice," she said, distracted. "Do you see smoke over there?"

I looked in the direction she kept glancing, to the red door at Cafe Yumm. The delivery man was walking out, opening the door with his feet, hands full of boxes. "I don't."

"Hmm." She kept glancing back anyway. "Today's been kind of weird, actually."

"I know it, people are being assholes. That's standard Monday, I guess."

"It started off... do you ever see bright spots or circular patterns out of the corner of your eye, and when you turn your head to look at them they move away? Like it's just the skin cells or something on the surface of your eye?"

"Yeah?"

"That's what I thought this was when I first got up this morning. But it's darker and it doesn't move the same way, and it doesn't always move out of the way when I turn to see it. It's like everything.... OK, now that I'm trying to explain it out loud I realize how ridiculous I sound." She laughed, and smiled for the first time. "Anyway, I don't know if there's something wrong with my eyes or if this is some weird pre-migraine thing, but I'm actually on my way home. I think this warrants a sick day."

"Well I hope you feel better!" I called. Lari was already walking away.

"I hope your customers are nicer for the rest of the afternoon!" she called back. She seemed less upset, but she still stopped to examine the cafe door as she walked past.


With both of us still gazing up at the sky, Dad put his hands around my waist and lifted me up into the air, above him. I reached my hand up, waving at the new, second moon. The back of my hand was suddenly brilliantly lit, as though by a spotlight behind us. The shadow of my hand danced in the center of the rippling moon.

"What is this?"

"An illusion."


When my alarm rang Tuesday, I sighed. I hadn't gone to bed early enough, and the rainclouds had rolled back in. No light streamed through the window to help the day begin.

Pulling up the shades, I thought, that's odd. The sun was out, just not... as bright as it should be. Everything seemed hazy, like the days following a field burn when ash filters from the sky onto everyone's cars and clothing.

And then, in the shower, I saw a spider on the tiles beside me and screamed out loud. But after arming myself with a shampoo bottle, I couldn't find him.

Clients were indeed nicer on Tuesday than Monday, a pretty typical pattern, but I felt no less stressed out. I kept catching strange movements in my periphery, seeing images on the computer screen that didn't seem quite right. One website's navigation had the most bizarre flash animation, black beaded ripples that reached out for the rest of the screen and then popped back into place. But when I got to work on their code I saw they weren't even using flash, weren't even using animation.

On schedule, I went outside for a smoke, leaning against the wall instead of sitting in the grass, as I still had this odd feeling that it was raining and the grass would be wet. I saw Lari walking down the street again, then turning and walking toward me. "Lari, oh hey, how are you feeling today? Did you come down with a migraine?"

Lari stopped at the grassy area where I'd been sitting yesterday and looked down. She focused her eyes a couple of feet in front of her, then turned her head towards the cafe. Then she looked back at the grass again, then towards the cafe.

I walked towards her. "Lari?"

She didn't look at me at all. And she looked terribly ill. Her face was shadowy, her eyes three shades darker than I remembered them, she said nothing. Then, I watched a string of smoke begin to drip from her mouth like saliva... and then pop back into place, disappearing.

"Oh shit, Lari, what-"

"Cass!" Someone calling my name from behind her. I looked past Lari and saw... Lari. Looking panicked and shocked, but far more like herself than the shadow in front of me. I immediately stepped backwards, not looking where I was going, until I hit the wall of the building.

She ran to me, breathless. "You can see her? Yes, of course you can, I think just about everyone can, but not all of everyone. Oh, fuck, Cass, I don't understand what's happening, but I'm not the only one."

She pointed to the door of Cafe Yumm, where this time I could in fact see smoke, a 5 foot 6 pillar of smoke with a strange man inside of it. Their delivery driver. And following helplessly behind the smoke, a second copy of the delivery driver.

"What?"

"It got stranger as yesterday went on," she continued. "Everything got more and more strange looking, and it was almost interesting after I had convinced myself it was a migraine symptom. My television was practically interactive, all the dark ripples reaching out into the room and then sliding back into the screen. I tried drinking a glass of wine and I could see every little molecule of the wine, the way they spiraled into each other and moved constantly. Finally I just went to bed, planning to go to the doctor today. But when I woke up... she was there. She was getting out of my bed, turning off the alarm, getting into my shower... she's been doing exactly what I did yesterday, except she doesn't speak. I've just been following her around. I don't know what's happening. But it isn't just me."

"What?"

"Cass, I'm sorry to scare you, but I have to go," she said, beginning to walk away, following her shadow. The shadow stopped and glanced at the door of the cafe as they walked down the street.

That evening I poured myself a glass of dark beer. I watched the bubbles hit the surface and continue up to the ceiling of the kitchen, popping there, leaving tiny, black, circular stains. I didn't drink it.


My father turned around, still holding me in the air, and I squinted as the strange light hit me straight in the eyes.

"Can you reach the projector?" he asked.

I extended my arms as far as they would go, barely glancing my fingers across the bottom lip of the lens. The moon's twin shook in the sky.


I didn't sleep. I was almost expecting her to be there, but when my alarm went off Wednesday and she got out of bed to turn it off, I still screamed. She didn't seem to hear me. She went to the window and raised the blinds. She showered, got out of the shower with the water still running, grabbed a shampoo bottle as though to kill a spider, and then shrugged and continued showering. I just watched and, crazier, registered annoyance at the fact that I probably wouldn't get a shower of my own.

She got into the driver's seat of my car, and I hesitantly climbed in on the passenger side. The streets of the city made my head swim. I felt as though I had double vision. Fully half the cars had a smoky, sick looking driver, and a frightened, identical passenger. Of those with one occupant, some looked to be normal people. Others looked like the distorted copies; perhaps not everyone had chosen to follow their nightmares around, and had instead stayed home to watch The Price Is Right. It seemed like the wiser choice, but I felt a panicky need to supervise myself. At one point I saw a copy riding a bicycle down the sidewalk, the horrified original running behind them on foot, unable to keep up.

Nor was I the only person in the office with a twin; it seemed our staff had grown quite a bit. But no new work would be done, just the same work as we did Tuesday, with those who were seeing the ripples for the first time looking on in fear. They would likely have their share upon waking the next day, I thought.

At the same time as usual, I followed my twin down the stairs, doing my best to grab one of my cigarettes from her pocket. I watched for Lari, but never saw her - though my copy moved towards the grass and back towards the wall just like she was repeating yesterday's encounter with the couple.

If Lari wasn't there, what did it mean? Did it mean the experience was over for her, was she safe back in reality? Or did it mean something else? I didn't know her well enough to have her number, but she was suddenly the most important and esteemed person in my world.

Back in the office, we had already disconnected the phone lines. Twins were still answering ghost calls, holding the phones to their ears but saying nothing. I lifted my cell phone from my copy's jacket, and called three people before finally finding Lari's number. Each call took forever as my panicked friends told me of their own visions or twins.

She answered the phone after 2 rings. I was talking before she'd even finished saying hello.

"Lari? What happened? Is your twin with you?"

"No, why, have you seen her?"

"No, I haven't, that's kind of why I'm calling. I was just outside, with MY twin, and I didn't see you, or you, and I was afraid. I didn't know if you were dead, or if something had changed.... She's not there?"

"No, she left last night."

"Left?!?!"

"Yes, for the entire day yesterday she did exactly what I'd done the day before, just distorted, and silent. And at the end of the day we went home. She poured a glass of wine, watched TV, and I just sat next to her. I didn't know what else to do. And then, just before we would have gone to bed, she turned to me and said 'It doesn't mean anything.' And I said, 'What?' but she just got up and walked into the bedroom. When I went in behind her she wasn't there. And she hasn't come back."

"It doesn't mean anything?"

"I know. What's it like out there today, Cass?"

"It's.... It's happening to everyone, I think. There are ghosts everywhere. They aren't even doing anything, just kind of hanging around and creeping everyone out. Everything looks dark with all their black smoke merging together."

"You know, it looks sunny from here."

We hung up, and I was left to decide what to do with the hours before sunset. Still too afraid to leave the twin unwatched, I sat in a corner of the office and let my mind wander.


"Can you reach it?" asked my father. "Can you knock it down?"

"What will happen if I do?"

"The sky will be okay."

I extended my arms even further, reaching for the moon itself.


That evening I watched my twin re-wash my clean laundry. I watched her pour a beer and then stare at the ceiling. The black patterns from the previous evening were no longer visible there, but I could easily draw them from memory.

"What does it mean?" I asked her.

She looked at me, for the first time that day. "It isn't real," she said. "It's an illusion."

She stepped onto the back porch, and disappeared, like a smoky distortion suddenly popping back into place.


My hands finally made firm contact with the protruding lens of the projector, and I slapped it once, moving the moon directly onto itself, and then again, knocking it from the sky. The machine fell to the grass, fan whirring, casting a small and unimpressive image into the ground.

"I guess everything will go back to normal now," I said.

He put me down, back on my feet, and we stood together on the lawn.

"What does it mean?" I asked.

"It's just a little distortion. It doesn't mean anything. It just spoils the illusion."

 

Thursday, December 27, 2007

Party Line

Calling home, with speaker phone on both ends, I can't tell one voice from another. I think it's Andy who asks about the food up here.

"The tomatoes fucking suck." I say. "So does the salsa."

I start to say something about potatoes, but her two-year-old cuts me off with a blood-curdling scream.

There's a voice I don't recognize. "Everything changes."

Is her mom there? Did I just say fuck in front of her mom?

"Ms. Patton?"

"That's my maiden name, honey," says Andy. No one else responds.

"Sorry, I thought I heard your mom or someone."

The conversation continues in its confusing stereo until I hear someone whisper, "It all goes to shit."

"Well, someone's feeling cynical."

"Huh?"

"Who's talking about everything going to shit?"

"Girl, you are losing your mind."

Indeed.

I leave the room and let my husband do the talking. I'm reaching into the fridge for a bottle of water when I smell burning hair.

"HALLELUJAH!" screams the space behind me. "HERE I COME!"

"Gah!"

(Yes, I sound like an idiot when I scream. My ohmigoditsaroach scream is more convincing.)

Static fills my ears and I am certain something is coming up from behind to get me. Then Stewart hangs up the phone.

Breaks the connection.

It's on your end, Andy. There's something in your house.

 

Friday, December 7, 2007

Mailbox

Apparently, I'm considered a "paranormal news outlet." This fills my email inbox with all sorts of interesting press releases and promotions.

Crystal Stephens of Electric Artists writes to tell us that the new A&E show, Paranormal State, will premier on December 10th at 10 PM ET. They'll air two cases back to back, featuring a young boy whose story is similar to "The Sixth Sense" and a single mom whose home is haunted by a history of brutal murder.

David M Kriegher writes to announce his website Dark Stories, a collection of true and truish ghost stories presented in both French and English.

Thanks for sending in your paranormal stories. I apologize if your event passed before I got around to sharing it here.

For frequently-updated and all-encompassing paranormal news, try the Debris Field. Lesley has this news outlet thing down.

 

Sunday, November 25, 2007

Two Swings (illustration)

The two swings on the hill. (From this story.) I'd lost all my photos from that leg of our trip, but visited the same spot over Thanksgiving.

We didn't hike up this time, either. We flew a kite instead.

 

Saturday, October 13, 2007

Take a look, it's in a book

I recently got an invite to an interesting blog series written by George Eberhart of the American Library Association. His current series is a listing of reportedly haunted libraries in the United States. (None for Louisiana, but three in Oregon.) Some are mundane, some are creepy, some are pretty scary. Is your local library listed?


On another note, I've set up shop in Eugene, Oregon. We moved into our apartment a week ago, P already has a job and I've got an interview Tuesday, so wish me luck. As I get settled in and explore what the area has to offer, I hope to start some projects here inspired by the amazing writing community in Shreveport.

Speaking of, have all you Shreveport poets set up a page on Everett Webb's Poet's Registry? Everett has taken over Red River Ink and combined it with other resources, including the Registry and his own Topcat Live. Go have a look at what he has to offer.

I keep planning to catch up on all your blogs. Please forgive me if it takes me a while. After a month travelling the country and a week trying to get established north of the Mason-Dixon, I think I finally have time for some reading.

Miss you guys!

 

Saturday, September 29, 2007

Two Swings on a Hill

Behind my brother's house, a perfect hill rises up past the neighborhood fence. It's a backyard for wealthier people, accidentally visible from the porches of the more average. The hill is steep, and you'll have to either climb that impassable fence or find the secluded entrance for those stately homes before you can even reach its base. And he has never climbed it. My brother only points to a tree and mentions the swing.

One day, I'm gonna climb that hill and swing like a kid.

It looks dangerous, I say, ever the first-born.

It looks fun, he says, ever the little brother.

I look closely, picking out the shape of the swing from the shadows of the trees.

There are two swings, I say.

The first is a red board, tied to a rope hanging from a tree near the top.

The second is a wooden seat, lying in the dirt under a broken and frayed length of rope.

I tell my brother this, but he can't see it. Neither can his wife. I'm the only one that can make out the second swing.

I'm the only one who wonders at the story of a broken rope at the top of a steep hill.


A brother and a sister furtively hike to the gated neighborhood bordering their own. They walk to the back and climb the hill from the side that's never faced them before. Two children, undaunted by fences, wander wherever they please in the afternoons. There is no question of should we over the tantalizing tree swings. Of course they should.

A brother swings forward and back.
A sister swings forward and snap.

She doesn't exactly go flying, but she never catches herself. There is a bounce, a break, a bounce, blood, a bounce, a bone. And the bottom.

And then there is only one swing. Then there is only a brother.


Still he says he will climb that perfect hill and swing that tantalizing rope. Still, I am the only one who can see the broken swing. I am the only one who can hear my big sister warnings.

 

Sunday, August 5, 2007

Running Late

Every morning, I drive forty-five minutes to work. It's too expensive to live in the city, and I prefer the solitude of the empty roads radiating from it. But it doesn't help my chronic tardiness.

On this particular morning, I was in such a rush that I couldn't even stop to grab any music, leaving me alone with my thoughts, which consisted of repeating variations on dammit I'm going to be late again.

i can't believe i haven't been fired yet
you'd think i would have outgrown this
turn green turn green turn green
dammit i forgot my lunch

Until my internal rant was interrupted by a loud POP and my car began to jerk to the left, right, and left again. I braked hard, pulled onto the grassy shoulder, and examined the damage.

"Fuck!" I shouted, any hope of making it to work by 10AM evaporating. Both front tires were ripped to pieces. "How the hell does a thing like that happen?"

As if in answer, my tapping foot came down on top of a nail, which pierced my rubber sole and the bottom of my foot. I swore some more as blood filled my shoe.

"Are you okay?"

I jumped, though of course I was already hopping, at the small girl who had appeared beside me. Her hair, dress, and skin were all similar shades of beige, and her big brown eyes glittered.

"I'm, uh... where did you come from?"

She pointed wordlessly behind her. She was a creepy little kid, but with no other traffic on the highway, I was glad she'd appeared.

"I'm fine. I hurt my foot, and I've got two flat tires. Do you know where I could find a phone or a gas station?"

She paced around in small circles, carefully avoiding a dragonfly corpse on the ground. "My mom will help. My mom always helps when people get in trouble out here." She began to skip away, then turned around. "Come on!"

I followed her through the buffer of trees that separated the highway from the tiny neighborhood. Every time I brought my right foot down, the blood-soaked shoe make a squishing noise, and the ball of my foot started throbbing. But I figured I at least had a good excuse now for not making it in to the office.

She led me to a cotton candy colored duplex and motioned for me to follow her through the door. It opened into a dark foyer, the kitchen visible through the open door at the end of the hall. A woman of the same beige tones stood at the sink washing dishes. Little Creepy ran through and tugged at the hem of Mrs. Creepy's apron. I almost expected to hear Mommy mommy look what I found can we keep him?

The woman turned around and smiled.

"My name's Chris, ma'am," I said. "I'm sorry to barge in on you, but I had a little car trouble, and your daughter said you might be able to help out. If I could just use your telephone..."

"I've already called, Chris."

"Huh?"

She laughed; a tinny, false sound. "Lisa said someone was in trouble on the highway, so I went ahead and called a tow. They should be here in about thirty minutes. You want some coffee while you wait?"

"When did she tell you about me?" I sounded more accusatory than I meant to, and she looked a little alarmed.

"Right before she ran out the door to find you. Lisa just has an ear for that sort of thing. If you're outdoors you can hear the highway perfectly from here."

We eyed each other suspiciously while Lisa poured us imaginary coffee from her plastic kitchen set. "Careful, it's hot," she warned me, handing me a tiny purple cup.

"Thank you," I said seriously, lifting it to my lips. This calmed both me and her mother down. "What was your name?" I asked the woman.

"Liz Kitchings," she said, extending her hand, smiling, finally looking like the harmless and helpful middle-aged woman she surely was.

"I appreciate you calling a tow for me. Could I use your phone to call my office?"

When I came back to the kitchen afterwards, Liz and Lisa were both gone. After looking around for them, I decided I should leave a thank you note and walk back to the car. I set it on the kitchen table next to Lisa's cups and left through the front door, leaving it unlocked behind me.

The tow was waiting for me when I got back to the car. He was a sturdy, blond-haired man in denim coveralls, and he paced anxiously back and forth as I walked toward him. "I'm sorry you had to wait for me. I was at a woman's home just past the trees making a phone-"

"Liz's," he said.

"Yes, she was very helpful."

"She always is," he said, with an indescribable look on his face. It was then that I noticed the mason jar in his hand, half-filled with nails.

"What the fuck is going on here?" I said, taking a step back.

"I'll pay for the tires. I'm sorry. I'll take care of it. I just... needed to hear her voice."

"What?"

"Liz. She calls anytime someone breaks down out here. Makes small talk, tells me about her morning, what Lisa did to make her laugh that day. It's almost like they never died. Like maybe she was just running late."

 

Tuesday, April 3, 2007

Parish

"Yes, yes, you're all very sorry," said Ms. Minnie Parish with a dismissive wave of her hand. "It's such a tragedy, a real shame, et cetera et cetera. And I'm grateful, I am. But I'm not here for your sympathies. I'm here to talk business."

"Then we'll get right to it," said Kevin Hume. Hume appreciated a woman like Parish. He'd have liked to have more people like her working at Bloodlust. But he'd built his production company from the ground up (mostly) on his own, and still essentially ran it on his own. If you want something done right...

"I've never heard of someone willing their body and estate to a movie before, but I don't think we'll have many problems. If you can donate your body to science or have your ashes shot from a cannon, surely you can use it in a horror movie."

Cease and Rector, his lawyer and assistant, nodded their pointy heads.

"I've got some paperwork drawn up," said Cease, sliding a short stack across the table to Parish.

"Does this include a written description of my roles? Both of them?"

"Of course. We'll film the living scenes and hauntings first, while you're still in fair health. And afterwards..." Rector cringed. He couldn't speak of her impending death as practically as Hume. "Afterwards, we'll complete the other scenes."

Parish smiled and reached for her pen. Rector thought she looked dead already.


Parish was a widow. She had no children. She'd never been a celebrity or an artist or a politician. She'd played philanthropist for a little while after getting control of her husband's estate. Mostly to local artist types, small films and startup companies. But she felt like she'd never done anything to achieve that immortality everyone looks for.

It was ironic that cancer finally told her to live. Screamed it, and underlined it by trying to suffocate her. She never knew she was sick until she was having trouble breathing, and of course by then all anyone could do was drain her lungs and give her morphine.

Six months to come up with something really good. Maybe eight. Maybe less.

Then she'd remembered Hume and Rector. She'd made their little production company possible. She had a brilliant idea, and they couldn't turn her down easily. Hume would bury her good.


Much to Rector's dismay, the working title of Parish had become the official title. Hume thought it would be wonderfully artistic and that much scarier if the lead character were a real woman, a real dead woman. A living legend, so to speak. While audiences wondered how much of the story were true and looked for poor Minnie Parish in the dark corners of their rooms, they'd be throwing their money at Bloodlust.

It didn't hurt that the sickness was real, either. At least, it didn't hurt anyone but Parish. Her thinning hair, her yellowing skin; it was better than any effects they could have afforded. And it made her "performance" all the more convincing.

In real life, Parish was dying of cancer, just like her husband before her. In Parish, our heroine is dying of cancer. The same cancer as her husband before her. Except in the film, it's not like a cancer anyone's ever seen outside of the Parish family. It's probably not cancer at all, just a viral, solid form of Death, some evil that's taken a liking to her forty-something body and everything her soul will leave behind.

In Parish, our heroine suffers and raves through morphine-induced hallucinations of fire between days of sleep. She would probably be better off dead. At least that's what the nurse who furtively smothers her failing patient believes. And she could have been right, but Minnie didn't think so.


In real life, they wheeled her coffin (empty, of course) down a red carpet. As a widow with no children, she didn't have much family to speak of. Only a few friends. The majority of the mourners were actors. Some were professional. Parish didn't mind. She went out in style.


Working with dead bodies involves a hellish amount of red tape. Cease was glad he'd had most of it taken care of ahead of time. He got some interesting reactions in the process. Date of death? they'd ask. About two months from now. Yeah, that's a fun one to explain.


In Parish, Minnie's niece and heir thinks it would be a good idea to have the body autopsied, strange tissue cultured, and the new cancer studied. And it would have been a good idea, except our heroine doesn't much care for it.

The cancer spreads. You know you've got it when you see Ms. Minnie Parish. Sitting right on your chest. Not much for social graces.

By the finale, the nurse and half the ICU staff are dead of the disease. The niece and everyone at the coroner's office. Most of the artists and businessmen and filmmakers Parish had poured money into.


Parish does well. But it's the backstory that earns the millions. The realism. The actual, maybe, just-enough reality of it. And the spectre of Ms. Minnie Parish behind your shoulder. Because, gosh, maybe you met her! You think you remember talking to her at the grocery store one day. You're pretty sure she bought an oil painting from your friend Deb. What an incredible woman! She made death an art form. She went out in style.

Hume was really quite pleased. Cease was thrilled. Rector felt a little sick.


It was time for a second funeral, and an actual burial. They'd mutilated the corpse pretty badly during filming - her idea - so there couldn't be an open casket this time around either. Parish never wanted her corpse to be the last thing people remembered anyway. They remembered her ghosts. Both of them.

It took about three hours before the first Minnie Parish sightings were reported. It took about three months for the DVD to break sales records. It took a year for her home to be placed on the Haunted Hollywood tour. It took ten to name a lung disease after her. It took the instant of her last breath for Parish to find that immortality everyone looks for.

 

Monday, January 15, 2007

Lady in the Corner

Originally posted on 11/24/06

1 - The next table

She sits at her table every Wednesday, has a vegetarian sandwich, and orders coffee for the empty chair across from her. She doesn't seem dangerous, so we don't mind her. She brings character to the cafe. Every cafe needs a crazy lady.

2 - Monica

The waiter here is nuts. Harmless, but nuts. The first time I came here, I ordered the avocado club and a sweet tea. He graciously took my order and turned to the empty chair across from me.

"And for you?"

I was sure I misunderstood. "There's no one meeting me today."

He looked confused. Turned to me. "What about your friend? Won't he be eating?"

Finally I said, "He'll just have coffee."

It's funny. I always figured when I ended up in this kind of situation, I'd be in the waiter's position.

3 - Caleb

Why can't they see me?

 

Sunday, January 14, 2007

True Stories

I discovered a very cool site on blogspot - Aura's Encounters with the Unexplained. I sent her the story about the weird ball of light my family encountered in the desert one summer, and it's up on her site right now. Go have a look, and let me know what you think it might have been. Other cool sites I've found in the same vein: Andrea's Ghost Stories and Rand's My Paranormal Life.

In other news, my story "The Loan" has been published in Corrosive, a small zine from Wisconsin. Dorothy should be sending both the December and January issues any day now. Maybe I'll scan and post a little of that then. I'm also looking to get some other items published, so once again, if there are any recommendations for sci-fi and dark literary zines for me, please let me know. You can email me if you don't want to leave a comment.

 

Friday, January 12, 2007

Helium

Originally posted on 11/19/06

At first, I didn't hear them. I was just pointing out the errant balloons in the parking lot.

Yesterday, a child in his father's arms let go of his red balloon. I could hear a friend of mine, a mother's words in my head. How do you explain that you can't get the balloon back? Kids that age just don't understand things like gravity and helium and gone.

The balloon went up and up and up. I watched it while I smoked a cigarette. By the time I went in, it looked like Mars. Impossibly far away, a red reflection of sunlight. We won't see it again until it pops in the stratosphere and rains down in red rubbery shards.

It was just an isolated moment.

But today, more balloons. A pink one hop-scotching across car tops. A blue one over the construction cranes at the other end of the shopping center. But there was no grand opening, no barbecue, no birthday party. Just these mysterious balloons.

Then I heard the screaming children. Not painful screams, just children screams, laughter and noise and shouting. But like the balloons, it's still coming from nowhere. There aren't any kids here.

A few days from now, we'll pick up the Times. We'll read about what they dug up while building the new Wal-Mart. And we'll hope they don't have balloons at their grand opening. Because that would just be inappropriate.

 

Wednesday, January 10, 2007

Under Sophie's Silk

NEW!

The rumors claimed her mother was a witch. That Sophie had burned her hand not while her mother made cornbread on an iron stove, but while she stirred evil spells in a cauldron. The effect was the same. Children were warned by their parents, or found her silk gloves strange, or were terrified when they saw what the gloves concealed.

Sophie herself couldn't remember exactly how it had happened. She was two, and she remembered the black iron, panic, not being able to get away. She remembered the pain, but that was it. According to the story she'd always believed, she'd rested her hand against an iron stove, and stuck. She passed out when they pulled her off. She'd healed, and could even use it normally. But for the rest of her life, she would have a perfect, round hole through the palm of her right hand. So when the bandages came off, the silk gloves went on.

But the older she got, the more she wondered. She saw more cauldrons in her dreams. She questioned more memories. But what really took some getting used to were the things she'd started seeing when she took her gloves off.

Alone, at night, she would hold up her hand in a greeting to no one in particular, and stare through that hole at the opposite wall. Sophie wondered how different things might be if she looked normal. If her mother weren't gone, if she weren't alone in the world. And eventually she'd console herself; remind herself how much worse it could be. But she'd still put the gloves back on before going to bed.

One night last December, though, she found she wasn't looking at the opposite wall. That she was, in fact, holding her hand up in greeting to someone. A man's face peered back at her through her palm.

She screamed, jumped out of her chair, and found... that she was still alone. That she was losing it. Just seeing things.

She gave up dwelling on her disfigurement for a few weeks afterward. Obviously, it wasn't doing her health much good. But old habits, especially the private self-destructions, die hard. And during a winter storm, drinking expensive wine from the bottle, she took off the glove and held up her hand.

The same face peered through, cocking an eyebrow. Sophie put down her hand. No one there. She lifted it again, and in a bravery that can only be explained by believing she was dreaming, said...

"Hello."

"I thought you could see me!"

"Yes, well, I'm still not sure if you're there or not."

"Me either, really. But it's nice to have someone to talk to."

And that was all they did. Talked about the war, Dostoevsky, their jobs. His name was Hobbes. He talked about becoming invisible - he wasn't sure if he was dead, he just knew that one day, he woke up and no one could see him. Sophie told him about her accident, and apologized for ignoring him for three weeks. And that she couldn't think of any way to help. It seemed silly to "make contact" and have no idea where to go from there. It wasn't like the movies at all.

"If I could come talk with you again, that would be a service in itself, ma'am." He tipped his hat, and she followed him with her hand as he opened and walked out the front door.

And that night, Sophie went to bed without her gloves on, feeling a little less alone in the world, and slept well. She may have had strange trials ahead of her, but during that first experience, she'd finally found a friend to help her through.